A new HBO series and some news from Sundance indicate a further changing of the TV guard.
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Film doesn't just have a platform disadvantage against TV, it has a content disadvantage too.
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Oscilloscope has made two interesting pre-buys lately. Will other distributors follow suit?
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Jonathan Glazer's first film in ten years is one movie that is nothing like TV.
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Shane Carruth's 'Upstream Color' is a great example of a director who made exactly the type of film he wanted through shrewd distribution and marketing choices. In this landscape, is a tiny niche all a filmmaker needs?
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Movie theaters are increasingly using their spaces for non-film exhibitions - here's why that's not a bad thing for the movies.
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'American Gods' is the latest in an exciting trend in TV storytelling.
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With high-resolution cameras becoming increasingly cheaper, the moment when Hollywood and micro-budget films use the same camera is fast approaching. What happens then?
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Sebastian Junger's latest is a telling example of a self-distributed success.
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Exploring the implications and possibilities of Francis Ford Coppola's latest innovative idea.
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'Fargo's' season finale prompts some thinking regarding the plasticity of storytelling mediums.
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For new filmmakers, film festivals will always be important platforms - but for established filmmakers, it's another story.
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What does the Radius release strategy for 'Snowpiercer' foretell for future summer blockbusters?
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A new project highlights how larger stories can be told with increasingly smaller budgets.
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An interesting move by The Weinstein Company could indicate potential futures for indie film rollouts.
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A recent, innovative release strategy reveals a key similarity between independent film and web entrepreneurship. (Hint: both hinge on eyeballs!)
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Is one of the most widely-used business models in independent film in jeopardy?
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"Dance with the one you came with" is good advice not just for dances, but for art as well. Here are two examples from this week.
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As competition from TV becomes increasingly strong, exhibitors will have to innovate.
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Paramount breaks big ground with an exciting Scorsese disclosure.
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Samsung's upcoming VR headset is sure to blur an increasingly hazy border between these two realms.
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Michael Moore's comments on docs at TIFF have riled doc filmmakers - but does he have a point?
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Cinema's longest-standing practitioner of innovation is still discovering new tricks.
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Adam Sandler's landmark deal with Netflix places the importance of the global filmgoing audience front and center.
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Maker Studios's new initiative with Fusion brings to mind ideas about the future of web content.
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