Filmmakers Jim Mickle and Nick Damici sit with actors Bill Sage and Julia Garner to discuss their collaborative process and why their film is not a remake of the famed 2010 Mexican horror classic. Oh, and did we mention they really hate found footage horror?
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In honor of Sam Rockwell’s tremendous work in ‘A Single Shot,’ we’re looking back at five of the actor’s roles that deserve a little more attention.
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The co-directors of ‘After Tiller’ take a personal look at late-term abortion care in the United States told through the eyes of the only four doctors in that practice in the country.
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Tribeca Chief Creative Officer Geoff Gilmore shares his thoughts on the stigma associated with VOD, the phenomenon of “festival favor,” and, of course, cell phone usage at the movies.
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Spike Lee’s exploration of post-9/11 New York through the eyes of Monty Brogan, a convicted drug dealer on his way to prison, remains the filmmaker’s most controlled and intense work to date.
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At TIFF, ’12 Years a Slave’ star Brad Pitt was asked if he would be open to a second installment of ‘World War Z.’ Sadly, he said “yes.” Here is our public plea.
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Before Riddick…before Xander Cage…before Dominic Torretto…Vin Diesel was just another indie filmmaker trying to break into the industry.
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Ever wanted to be a fly on the wall in Nixon’s Whitehouse? Penny Lane’s ‘Our Nixon,’ a riveting compilation of never before seen Super 8 home movies shot by the President’s staff, is in theaters now.
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In honor of the 74th birthday of this versatile auteur (yes, that is the correct word), we celebrate Joel Schumacher’s five most important films of the nineties.
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We spoke to the writer/director of one of the most anticipated indies of 2013 about his amazing cast, how he got over his fear of writing from a female perspective, and why art is an essential form of self-expression.
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