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FILM GUIDE ARCHIVE FEATURE NARRATIVE

CAPE OF GOOD HOPE

TFF 2004
FILM GUIDE ARCHIVE CAPE OF GOOD HOPE [TFF 2004]

Where most films about South Africa that make it stateside are epics filled with good guys and bad guys, Cape of Good Hope is that rare exception -- a clear and simple portrait of imperfect everyday people and how their lives become intertwined despite their cultural differences. Kate, the white owner of the Good Hope animal shelter, clearly relates better to the dogs than people. Jean Claude has a Ph.D. in Astronomy but has fled strife in the Congo and now works at the shelter as a groundskeeper and caretaker. Sharifa is a Muslim receptionist desperate to have children with her faux-patriarchal pushover of a husband. When the young boy Thabo impresses Kate with his dog training skills, she invites him to help and it isn't long before Jean Claude takes Thabo under his wing. Soon, he meets Thabo's mother and falls for her, but there are more than a few obstacles in the way of her falling in love back. Bamford interweaves these stories into a narrative that allows each character to reveal (through universally strong performances) the subtle ways that each must deal with racism in his or her own way. Yet Bamford keeps it as subtext -- and when it does reach the surface, it is ugly, shameful and degrading. Cape of Good Hope illuminates the dichotomy that exists in modern-day South Africa, where those, both black and white, yearning to look ahead must coexist with those who remain grounded in the mores and prejudices of the past.

Where most films about South Africa that make it stateside are epics filled with good guys and bad guys, Cape of Good Hope is that rare exception -- a clear and simple portrait of imperfect everyday people and how their lives become intertwined despite their cultural differences. Kate, the white owner of the Good Hope animal shelter, clearly relates better to the dogs than people. Jean Claude has a Ph.D. in Astronomy but has fled strife in the Congo and now works at the shelter as a groundskeeper and caretaker. Sharifa is a Muslim receptionist desperate to have children with her faux-patriarchal pushover of a husband. When the young boy Thabo impresses Kate with his dog training skills, she invites him to help and it isn't long before Jean Claude takes Thabo under his wing. Soon, he meets Thabo's mother and falls for her, but there are more than a few obstacles in the way of her falling in love back. Bamford interweaves these stories into a narrative that allows each character to reveal (through universally strong performances) the subtle ways that each must deal with racism in his or her own way. Yet Bamford keeps it as subtext -- and when it does reach the surface, it is ugly, shameful and degrading. Cape of Good Hope illuminates the dichotomy that exists in modern-day South Africa, where those, both black and white, yearning to look ahead must coexist with those who remain grounded in the mores and prejudices of the past.

Film Information
Year: 2004
Length: 107 minutes
Language: English, Afrikaan, Xhosa
Country: South Africa
Premiere: World
About the Director(s)

Mark Bamford was born in Louisville, Kentucky, and raised in New York. The 37-year-old writer/director graduated from NYU in 1989 with a double major in French literature and linguistics, and a minor in anthropology. After working in Los Angeles as a freelance screenwriter, he wrote and directed the award-winning short film Hero, starring Julianne Nicholson (Tully, Ally McBeal) and Alan Gelfant (Next Stop Wonderland). Hero, a visually stunning and emotionally powerful story of an AWOL American soldier behind enemy lines in World War II, played in numerous film festivals worldwide, and won the Atom Film's Director to Watch Award in 2001. Hero sold worldwide for television and aired on PBS in the U.S. For the last three years, Bamford has lived with wife, cowriter and producer Suzanne Kay, and their two children in Cape Town, South Africa. Cape of Good Hope is his first feature film.

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