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FILM GUIDE ARCHIVE FEATURE NARRATIVE

PLAY

TFF 2006
FILM GUIDE ARCHIVE PLAY [TFF 2006]
Cristina Llancaleo (Vivana Herrera), a young nurse from the countryside with big eyes and even bigger headphones, walks the streets of Santiago like a silver ball in a pinball machine, shooting from one person's life to another's. When she is not reading National Geographic articles to her elderly Hungarian patient Mlos (Francisco Copello) or flirting with a gardener in the park, she is following Tristán Greenberg (Andrés Ulloa), a 33-year-old architect whose wallet she finds after he is mugged. Tristán, who is temporarily unemployed while the construction workers on his project are on strike, has been dumped by his too-perfect girlfriend Irena (Aline Kuppenheim), who it turns out is also worth following. With nowhere to go, he returns to the suburban home where he grew up, but his glamorous mother Laura (Coca Guazzini) is living with a sleazy magician and is soon throwing a pool party straight out of The Graduate. In writer director Alicia Schersoon's offbeat and stylish first feature, old Santiago indigenous rubs against new European in an international melting pot of riotous color art directed within an inch of its life by Sebastian Muñoz and shot in crisp HD by cinematographer Ricardo de Angelis (Man Facing Southeast). Scherson punctuates her script with playfully arch dialogue in which her characters quote Pliny, argue over parts of speech, and confess dreams as inconsequential as their lives. Because for Cristina, who continues her stoop-shouldered, flat-footed trudge through the city, lighting yet another cigarette as if it were her first, the game is never over.
Cristina Llancaleo (Vivana Herrera), a young nurse from the countryside with big eyes and even bigger headphones, walks the streets of Santiago like a silver ball in a pinball machine, shooting from one person's life to another's. When she is not reading National Geographic articles to her elderly Hungarian patient Mlos (Francisco Copello) or flirting with a gardener in the park, she is following Tristán Greenberg (Andrés Ulloa), a 33-year-old architect whose wallet she finds after he is mugged. Tristán, who is temporarily unemployed while the construction workers on his project are on strike, has been dumped by his too-perfect girlfriend Irena (Aline Kuppenheim), who it turns out is also worth following. With nowhere to go, he returns to the suburban home where he grew up, but his glamorous mother Laura (Coca Guazzini) is living with a sleazy magician and is soon throwing a pool party straight out of The Graduate. In writer director Alicia Schersoon's offbeat and stylish first feature, old Santiago indigenous rubs against new European in an international melting pot of riotous color art directed within an inch of its life by Sebastian Muñoz and shot in crisp HD by cinematographer Ricardo de Angelis (Man Facing Southeast). Scherson punctuates her script with playfully arch dialogue in which her characters quote Pliny, argue over parts of speech, and confess dreams as inconsequential as their lives. Because for Cristina, who continues her stoop-shouldered, flat-footed trudge through the city, lighting yet another cigarette as if it were her first, the game is never over.
Film Information
Year: 2005
Length: 100 minutes
Language: (Unknown)
Country: Chile
Premiere: Unknown
About the Director(s)
Chile native Alicia Scherson graduated in biology and studied filmmaking at the Escuela de Cine de Cuba. In 1999, she went on a Fulbright scholarship to the U.S., where she earned an MFA from the University of Illinois. Winner of the Best New Narrative Filmmaker award at Tribeca 2005 for Play, supported by the Hubert Bals and CORFO Film Fund, and the Beca Fundación Carolina from the Spanish Government, she now teaches film in Chile.

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