| THE EDITORS
Bradford Young: Is Digital Killing Off the Happy Accident?

Bradford Young: Is Digital Killing Off the Happy Accident?

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| THE EDITORS
Adam Valdez: We Create the Parts of the Movie that are Impossible to Film

Adam Valdez: We Create the Parts of the Movie that are Impossible to Film

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| THE EDITORS
David Stump: The DP Must Understand the Entire Length of the Image Chain

David Stump: The DP Must Understand the Entire Length of the Image Chain

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| THE EDITORS
Lana and Andy Wachowski: Performance is Created in the Editing Room

Lana and Andy Wachowski: Performance is Created in the Editing Room

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| THE EDITORS
Dion Beebe: 35mm Will Continue to Inform Young Filmmakers

Dion Beebe: 35mm Will Continue to Inform Young Filmmakers

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| THE EDITORS
David Lynch: With Digital Comes Consistency

David Lynch: With Digital Comes Consistency

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| THE EDITORS
Wally Pfister: The Complexities of Chris Nolan’s Movies Are in the Story

Wally Pfister: The Complexities of Chris Nolan’s Movies Are in the Story

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| THE EDITORS
Michael Chapman: Movies Were the Great Art Form of the 20th Century, But the 20th Century is Over

Michael Chapman: Movies Were the Great Art Form of the 20th Century, But the 20th Century is Over

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| THE EDITORS
Steven Soderbergh: We Are Always at the Beginning of Infinity

Steven Soderbergh: We Are Always at the Beginning of Infinity

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| THE EDITORS
Future of Film Preview: Larkin (GoWatchIt) and Lawler (Constellation) on Aggregating Audiences for Films

Future of Film Preview: Larkin (GoWatchIt) and Lawler (Constellation) on Aggregating Audiences for Films

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