No subplots. No supporting characters. How two of this fall's most critically-lauded films take full advantage of their limited storytelling time - and why you'll be seeing more tightly-focused films like this in the future.
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"I do not create the space for the audience. I simply need them in the storytelling." Many filmmakers gravitate toward mysteries, but few have created puzzle-boxes that function as inventively as Claire Denis's "Bastards." We sat down with the acclaimed French director.
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'Kill Your Darlings' is a look at the young people who would go on to start the most famous literary movement of the 20th Century. We talked to director John Krokidas about how he pulled off an intimate, relatable period piece that feels completely current.
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A pioneering literary press from Ohio is developing a micro-budget cinema slate. Soon, more purveyors of high-quality content will be getting into the film game.
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We constantly talk about how improving technology is helping cinema become more efficient, but few examples are as stellar as Randy Moore's Escape From Tomorrow. We talked to the director about how a new camera gave him the idea for his guerrilla-style thriller.
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We all know that TV is often viewed with a second screen out at the same time. Are movies next?
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Many people talk about trying to find a new paradigm for digital distribution. Ricky Van Veen is doing it. Part two of our interview with the CollegeHumor co-creator about what he learned distributing 'Coffee Town.'
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Many people talk about trying to find a new paradigm for digital distribution. Ricky Van Veen is doing it. Part one of our two-part interview with the CollegeHumor co-creator about what he learned distributing 'Coffee Town.'
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Matthew Porterfield's microbudget indie "I Used to Be Darker" is getting great reviews. We talked to the director about his film's unique style.
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We talked to the investigative journalist-turned-director about stripping away the mythology of JFK's assassination, and how reporting from war zones prepared him for a movie set.
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