What The Interview's VOD success means for future blockbusters-on-demand.
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Will content producers on the web have an easier time of becoming distributors than filmmakers have had?
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'The Interview' is pulled from theaters, raising interesting thoughts regarding high-profile studio films and VOD experimentation.
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Popular YouTube acts are encroaching on Hollywood studios' territory.
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HBO's season two pickup of 'Doll & Em' indicates we're headed toward a new style of narrative fluidity in TV.
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What 'High Maintenance' augurs for the future of short films and anthology series.
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What Starz's ordering of a series sequel to the famous film series augurs.
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Whit Stillman shares some sage wisdom about the importance of flexibility in independent filmmaking.
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The great film business intellect shares some wisdom from the Produced By NY conference.
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The TV world was rocked last week by the news that major networks are creating online subscription services.
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Maker Studios's new initiative with Fusion brings to mind ideas about the future of web content.
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Adam Sandler's landmark deal with Netflix places the importance of the global filmgoing audience front and center.
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Cinema's longest-standing practitioner of innovation is still discovering new tricks.
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The IFP is now running a movie theater, and it's a big deal. Here's why.
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Michael Moore's comments on docs at TIFF have riled doc filmmakers - but does he have a point?
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Samsung's upcoming VR headset is sure to blur an increasingly hazy border between these two realms.
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As competition from TV becomes increasingly strong, exhibitors will have to innovate.
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Paramount breaks big ground with an exciting Scorsese disclosure.
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To what degree did piracy hurt the action franchise?
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Is one of the most widely-used business models in independent film in jeopardy?
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A recent, innovative release strategy reveals a key similarity between independent film and web entrepreneurship. (Hint: both hinge on eyeballs!)
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A new project highlights how larger stories can be told with increasingly smaller budgets.
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An interesting move by The Weinstein Company could indicate potential futures for indie film rollouts.
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Is vertical integration the answer to the problems plaguing the independent film world? I have one idea...
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What does the Radius release strategy for 'Snowpiercer' foretell for future summer blockbusters?
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