Monsters: Gareth Edwards
Gareth Edwards' directorial debut is a unique combination of monster-movie and road-trip romance.
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11/4/08: A New Wave of Filmmaking
Pushing the boundaries of both production and distribution methods, Jeff Deutchman's collaborative documentary 11/4/08 may take place on a now-famous Election Day, but it seems like a film from the future.
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Carlos: Olivier Assayas
Swinging back to his international-thriller style (with a vengeance), Olivier Assayas's 5-hour-plus epic focuses on an equally outsized personality, Carlos the Jackal.
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Enter the Void: Gaspar Noé
"A collective dream that deserved to be portrayed..." In his latest feature, the transgressive French filmmaker posits that death is the ultimate drug trip.
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Reeled In: Catfish
It's tough to learn much about Catfish without learning TOO much, but our interview with filmmakers Henry Joost and Ariel Schulman is spoiler-free.
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Vive le Heartbreaker!
With his feature-film debut, Pascal Chaumeil utilizes Romain Duris' effortless charm as never before, in the madcap hilarity that is Heartbreaker. Plus, Dirty Dancing!
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A Woman, A Gun, and a Noodle Shop
After directing China's media in the 2008 Olympics, Zhang Yimou returns with his most audacious film yet: a Chinese remake of the Coen Brothers' debut, Blood Simple.
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Paparazzo: Ron Galella in Smash His Camera
From Jackie O to Marlon Brando, celebrity photographer Ron Galella got the shot, no matter what. Oscar winner Leon Gast invites you to love Galella or hate him.
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Kevin Kline: The Extra Man
Veteran actor Kevin Kline plays to his strengths as an eccentric East Sider who adopts a protege (Paul Dano) in this winning new comedy, which also features the return of Katie Holmes.
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The Reelist: Before the Credits Roll
The script is everything, and this week's Reelist revisits ten movies with the greatest closing lines—the ones that send audiences away with a smile, a nod, or a quizzical shake of the head.
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