Joe Swanberg exemplifies a sense of what it means to be part of the filmmaking community.
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Ted Hope, indie producing legend and former head of the San Francisco Film
Society, has some surprising news.
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A recent comment by James Gray reveals how indie and commercial cinema have in effect switched places.
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The public conversation around their films is the one part of the process most filmmakers don't touch. Here's why they should.
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With financing for one's films so contingent upon the brand a filmmaker cultivates for themselves, it's important to consider one's body of work carefully.
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What 'Nymphomaniac' indicates might be a future type of storytelling.
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If VOD really is the next big thing, theater chains will have to accept it. Here's a way they just might.
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Joseph Gordon-Levitt's 'Don Jon' points a way toward a new kind of distribution strategy for studios.
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As Netflix announces its move into original cinema, indie filmmakers will see a new window of opportunity.
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No subplots. No supporting characters. How two of this fall's most critically-lauded films take full advantage of their limited storytelling time - and why you'll be seeing more tightly-focused films like this in the future.
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