As the commercial movie industry is rapidly shifting on a global basis to digital distribution and exhibition, moving image artists continue to celebrate the material qualities of the film medium, whose physical characteristics consist of reels of celluloid film, sprocket holes, optical sound tracks, mechanical splices, and the film emulsion, onto which they record images and sounds. At the same time, these artists continue to raise poignant critiques about the immateriality of the digital projection formats.
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