Presenting Partner
Signature Partners
Unknown Premiere
Best Editing - Documentary Award
Awards Screenings
| USA | 120 MINUTES
The Best Editing - Documentary Award goes to Let The Fire Burn.
Jason Osder makes an impressive feature film debut through his unbiased and thorough account of the incidents leading up to and during the 1985 standoff between the extremist African-American MOVE organization and Philadelphia authorities. “Let the fire burn” were the fateful words that may or may not have been spoken by one Philadelphia authority on an intense and confusing day that destroyed a community. Documenting the personal stories of neighborhood residents, MOVE members and officials through extensive archival footage of court hearings, news broadcasts, home movies and interviews, Osder leaves no stone unturned, save the first one cast.
The structure of the film follows the same crescendo as the dramatic clash that claimed eleven lives and literally and figuratively devastated an entire community, taking viewers on the same tumultuous ride as those directly involved. The angst of the MOVE organization, the fear of the community and the confusion of authorities all reach a boiling point as emotions overpower reason. A real-life Wild West story without the luxury of identifying its heroes by the color of their hats, the film admirably demonstrates that sometimes no amount of known fact can help us understand the complexities of our psyche.
—Ashley Havey
Jason Osder makes an impressive feature film debut through his unbiased and thorough account of the incidents leading up to and during the 1985 standoff between the extremist African-American MOVE organization and Philadelphia authorities. “Let the fire burn” were the fateful words that may or may not have been spoken by one Philadelphia authority on an intense and confusing day that destroyed a community. Documenting the personal stories of neighborhood residents, MOVE members and officials through extensive archival footage of court hearings, news broadcasts, home movies and interviews, Osder leaves no stone unturned, save the first one cast.
The structure of the film follows the same crescendo as the dramatic clash that claimed eleven lives and literally and figuratively devastated an entire community, taking viewers on the same tumultuous ride as those directly involved. The angst of the MOVE organization, the fear of the community and the confusion of authorities all reach a boiling point as emotions overpower reason. A real-life Wild West story without the luxury of identifying its heroes by the color of their hats, the film admirably demonstrates that sometimes no amount of known fact can help us understand the complexities of our psyche.
—Ashley Havey
* Rush Tickets available at venue except for
Beacon Theatre
Beacon Theatre
Rush will be offered when advanced tickets for a screening or event are no longer available at venues
other than Beacon Theatre.
The Rush system functions as a standby line that will form at the venue approximately one hour prior to scheduled start time. Admittance is based on availability and will begin roughly 10 minutes prior to program start time. Rush Tickets are the same price as advance tickets and are payable upon entry.
The Rush system functions as a standby line that will form at the venue approximately one hour prior to scheduled start time. Admittance is based on availability and will begin roughly 10 minutes prior to program start time. Rush Tickets are the same price as advance tickets and are payable upon entry.
