The Next Step In Crowdfunding: Richard Guay On His New Portal & the Zach Braff Effect
Indie producer Richard Guay becomes an innovator with Passion First, a portal for crowdfunders to truly become investors.
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Indie producer Richard Guay becomes an innovator with Passion First, a portal for crowdfunders to truly become investors.
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The news that HBO is adapting Hannah Fidell's film 'A Teacher' as a series opens up a whole new world of creative possibilities.
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In the future, the audience will come first, and the content will follow.
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An unusual - but clever - new idea for how to get eyeballs on the screen that takes its cue from the music industry.
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"The subject of 'Visitors' is you watching the film." The illustrious American experimental filmmaker is releasing his first film in eleven years. We talked with Reggio about practicing slow filmmaking in this era of fast cuts.
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The next step in the crowdfunding revolution will fundamentally change the way filmmakers work.
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Manohla Dargis's treatise on the state of film distribution merits reflection.
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Cinemax's 'Banshee' tries out a new style of transmedia storytelling.
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Joe Swanberg exemplifies a sense of what it means to be part of the filmmaking community.
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Ted Hope, indie producing legend and former head of the San Francisco Film Society, has some surprising news.
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A recent comment by James Gray reveals how indie and commercial cinema have in effect switched places.
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The public conversation around their films is the one part of the process most filmmakers don't touch. Here's why they should.
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With financing for one's films so contingent upon the brand a filmmaker cultivates for themselves, it's important to consider one's body of work carefully.
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Michel Gondry's latest act of reinvention? Animating a doc with one of the country's leading intellectuals.
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What 'Nymphomaniac' indicates might be a future type of storytelling.
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If VOD really is the next big thing, theater chains will have to accept it. Here's a way they just might.
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John Sayles is as much a godfather of contemporary American indie cinema as John Cassavetes. His latest film, 'Go For Sisters,' cleverly blends a character study with genre elements.
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Joseph Gordon-Levitt's 'Don Jon' points a way toward a new kind of distribution strategy for studios.
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As Netflix announces its move into original cinema, indie filmmakers will see a new window of opportunity.
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'The Square' is one of the first documentaries to show the full breadth of how technological advances are aiding documentary cinema. We talked to Jehane Noujaim about how he documented Egypt's revolutionary moment.
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No subplots. No supporting characters. How two of this fall's most critically-lauded films take full advantage of their limited storytelling time - and why you'll be seeing more tightly-focused films like this in the future.
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"I do not create the space for the audience. I simply need them in the storytelling." Many filmmakers gravitate toward mysteries, but few have created puzzle-boxes that function as inventively as Claire Denis's "Bastards." We sat down with the acclaimed French director.
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'Kill Your Darlings' is a look at the young people who would go on to start the most famous literary movement of the 20th Century. We talked to director John Krokidas about how he pulled off an intimate, relatable period piece that feels completely current.
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A pioneering literary press from Ohio is developing a micro-budget cinema slate. Soon, more purveyors of high-quality content will be getting into the film game.
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We constantly talk about how improving technology is helping cinema become more efficient, but few examples are as stellar as Randy Moore's Escape From Tomorrow. We talked to the director about how a new camera gave him the idea for his guerrilla-style thriller.
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